I particularly enjoyed the epilogue, which ties in with the inexplicable opening credits which made more sense once youve come full circle at the end. Its a standard three act structure here where the first hour establishes the strong family bonds between Mother (Kim Hye-Ja) and child Yoon Do-Joon (Won Bin), bordering quite close to being incestuous (but this is glossed over since were dealing with a man-child here), before they key murder scene beocmes the catalyst for Mother to do some serious investigations work in order to prove her sons innocence, given that the perverted justice system provided that bad after-taste. The cut (and duration) remain that same, with colour altered.
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